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March 2017

Greenwich Village's Second AIDS Memorial Underwhelms

AIDSMemorial

 

I hate to say it, but the recently dedicated AIDS Memorial in Greenwich Village, which sits across the street from where St. Vincent's Hospital used to be, looks like the outdoor garden center attached to a suburban K-Mart.  And where it's situated, off busy Seventh Ave., doesn't offer a very contemplative atmosphere.  Furthermore, a soothing quotation engraved in the walking area is so lengthy that I doubt many will take the time to read it, especially since reading will likely be interrupted by other visitors walking over it.  Names engraved on a low wall aren't those who died of AIDS but, rather, those who donated funds, a tacky feature for a memorial.  Lastly, I found it disconcerting that three days after a recent snowstorm, snow/ice still hadn't been cleared from the area, making it impossible to read the inspirational quote (you would think that arrangements would have been made for this type of upkeep.)

 

I get it that the site was considered ideal for paying tribute to St. Vincent's since it was the focal point of the AIDS crisis in New York and one of the first hospitals to offer a dedicated AIDS wards.  However, I would have hoped for something more magisterial than a structure that resembles a not very sturdy looking mini-Oculus (lower Manhattan's new transportation and shopping hub).   

 

Meanwhile, a more stately and understated memorial is situated in a lovely, more secluded setting along the river in Hudson River Park at Bank Street.  Dedicated in 2008, it went largely unrecognized during the hubbub surrounding the planning of the newer memorial.  (And it cost considerably less.).  I find this site much more conducive to thinking about friends and loved ones lost to AIDS.

 

Aids_memorial_hudson_river_park  

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Few Watch "When We Rise", ABC's Mini-Series About the Gay Rights Movement

When we rise

 

In the winter of 1977 ABC aired the eight-part mini-series, Roots, which told of the black experience in America.  It drew a huge audience, reaching an estimated 60% of the population.  40 years later ABC aired a four-part mini-series about the rise of the gay rights movement, called When We Rise, but unlike Roots, few watched it.  The first episode had only 3 million viewers and the three episodes that followed barely drew 2 million.  This was despite the fact that it had quite a creative pedigree, with Dustin Lance Black the executive producer and Gus Van Sant the director (who also paired up for the 2008 movie Milk).  By comparison, 50-60 million viewers tuned in for each installment of Roots (when there were 100 million fewer people living in the US). 

 

Of course, today's viewing landscape is much different from what it was 40 years ago, but it doesn't fully explain the pitiful level of viewership.  Was it also because non-gay viewers weren't interested, so the audience potential was limited?  Was it because of a lack of promotion (although numerous tune-in ads aired during the Academy Awards)?  Was it because, with all of the media attention in the past ten years given to several major pieces of pro-gay legislation, we've already learned a great deal gay history?  Was it apathy among young people?  Or, perhaps, avoidance by older LGBT persons who lived through the AIDS crisis and didn't wish to relive it?  (As I watched I was tense knowing that some of the characters I grew to like would succumb.)

 

AIDS panic scene

 When we rise bed scene

 

A clear sign of how times have changed was the warning at the beginning of each episode, cautioning viewers about strong "adult" language, but there was no such warning about "adult" content, such as amorous scenes between men or lesbians.  25 years ago very few mainstream advertisers would have risked placing commercials in a program with this type of content, but this time a long list of mainstream advertisers aired commercials, including Oreo, Special-K, Lysol, Bounty, Chevrolet, Perdue chickens, McDonald's, JC Penney, Downy, Red Lobster, and Little Caesar's.  However, I spotted just one ad with a gay sensibility, for the Lexus RX.  Also, L'Oreal featured trans model, Hari Nef, in its ad.

 

Lexus gay ad
Lexus RX

 

Loreal transexual
L'Oreal

 

I was startled by a quick scene in Episode 3 when the fellow walking out of the offices of the HRC (Human Rights Campaign) in DC bore a striking resemblance to Vice President Mike Pence.

 

Mike pence

 

At the end of Episode 3 I found it curious when a comment by Cleve Jones about President George W. Bush's endorsement of a Constitutional amendment making marriage only between a man and a woman, was immediately followed by a voiceover during the credits telling viewers that Bush would be on Jimmy Kimmel's show later that night.   

 

When interviewed about the mini-series, Dustin Lance Black said that, "Young LGBT people deserve to know we have a rich history."  However, with such tepid viewer response his quote made me think of the well-worn phrase, "You can lead a horse to water, but you can't make it drink."  Hopefully, additional viewers will see this ambitious, and well-done, series via On Demand or delayed viewing from DVR recording.

 

You-can-lead-a-horse-to-water-clip-art

 


 

 

 

 

 

 

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Gay-Themed "Moonlight" Wins Best Picture at 2017 Academy Awards After "La La Land" Mix Up

Best picture mistake

 

At the beginning of February the Super Bowl became one for the ages when it became the first to go into overtime.  Then three weeks later the "gay Super Bowl", i.e., the Academy Awards, had an equally memorable ending when the wrong Best Picture winner was announced.  The actual winner, Moonlight, became the first movie with a gay main character to win Best Picture (and its all-black cast was also a first for a Best Picture winner).  However, it had to wait a few minutes before the cast could bask in glory because La La Land was first announced as the winner.  It somehow seemed fitting that "drama" would surround a gay-themed movie.  Below you'll find my observations about the rest of the telecast:

 

 Oscars billboard

 

A Parade of Dashing Presenters ...

 

The rock at 2017 Academy Awards
Dwayne "The Rock" Johnson

 

Gael bernal garcia
Gael Garcia Bernal (with Hailee Steinfield)

 

Riz ahmed
Riz Ahmed

 

Dashing vince vaughn
Vince Vaughn

 

And the Dashing Members of the Audience ...

 

Andrew garfield
Andrew Garfield

 

Best supporting actor
Mahershala Ali

 

Emma stone and viola davis husband
Viola Davis's husband, Julius Tennon and Emma Stone

 

Ryan gosling
Ryan Gosling during Emma Stone's acceptance speech (with actress Ruth Negga in background).

 

  • Granted, the telecast was slow moving but I think we can all agree that the various stage sets were beautiful to behold.

 

Leslie mann and john cho

 Hidden figures

 Oscar stage

 Salma hayek

 Jimmy kimmel

 2017 academy awards stage

 

  • Emma Stone's younger brother, Spencer, looked cute in a hamster/chipmunk-like way.

 

Emma stone brother spencer

 

  • Denzel did not look pleased after not winning for Best Actor, perhaps because he had a fiery acceptance speech planned whereas winner Casey Affleck seemed to be still in character from Manchester by the Sea, with his halting, uninspiring acceptance speech.

 

Denzel_1-large_trans_NvBQzQNjv4BqfmWw8ZtkYoKgUQYLfpqhYkNwENFDDZcUtBhjTKyeZIo
This camera shot was immediately after Casey Affleck complimented Washington, saying that he had honed his acting skills by watching his past performances.

 

  • Although it was emotion-filled, Viola Davis' acceptance speech after winning for Best Supporting Actress was oddly joyless.

 

Viola davis acceptance speech 2017 oscars 

 

  • However, she did manage to crack a smile later ...

 

Viola davis and husband

 

  • I love him to death, but isn't Lin-Manuel Miranda's "Hamilton" patter getting a bit tired?

 

Lin manuel miranda

 

  • The opening with Justin Timberlake boogying his way through the audience left me cold - was this the opening of the Grammy's?  How did they get everyone in the audience so jazzed?  And although his song, Can't Stop the Feeling, was a Best Song nominee, what about the mash-up with Lovely Day (a Bill Withers song).

 

Justin timberlake 2017 academy awards

 

  • The singer of the nominated song from Moana, Auli'i Cravalho, was slightly grazed by one of the huge flags being waved behind her, but she maintained her poise.  Although the song didn't win, hers was the best performance as John Legend's voice was weak and pitchy when he sang the two nominated songs from La La Land.  

 

Singer

 Aulii Cravalho

 

  • I liked Scarlett Johansson's coiff, which was a mash-up of New Wave and old Hollywood glamour.

. Scarlett johansson 2017 oscars

 

  • For the third year in a row Chris Evans was a presenter and continued his Oscar tradition of having the same look..

 

2017 oscars
2017

 

Chris evans 2016
2016

 

Chris evans 2015
2015

 

  • Besides the acceptance speeches made after Moonlight won its awards, the only other gay moment I recall was when Byron Howard, a co-director for Best Animated Film, Zootopia, gave a quick shout out to his husband, Shepherd, as the orchestra began playing.

 

Zootopia byron howard

 

  • I was amused by the running gag of animosity between host Jimmy Kimmel and Matt Damon, especially when the music started playing whenever Damon would speak.

 

Matt damon

 

Ben afflect and guest

 

  • The necklace worn by Alicia Vikander (Best Supporting Actress for The Danish Girl in 2016) was lovely.

 

Necklace

 

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